On Sunday evening, June 26, 1977 I sat down at the desk in my room at Wroxton Abbey in Oxfordshire, England. The next day I would attend the first of my master’s level classes at Wroxton College, the British campus of Fairleigh Dickinson University. That summer we would be reading Henry VI, Parts One,Two and Three. Later in the summer, we would be attending all three of these Shakespearean history plays performed at the Royal Shakespeare Theater in Stratford-upon-Avon.
My sister, Mary Ellen, and me on a return visit to Wroxton Abbey, Summer 2011.
I still remember the thrill I felt when I read that the setting of the first scene was Westminster Abbey. I had just been there the day before. Yes, I loved Shakespeare before, but my three summers at Wroxton would transform that love into unconditional adoration.
Imagine my horror when I picked up the newspaper this past October and read the following headline: “Oxford says Shakespeare will share credit for Henry VI.” Wait…what? That’s right. Oxford University Press’ new edition of Shakespeare’s works will credit Christopher Marlowe as co-author of the Henry VI plays. [Are you rolling in your grave, Will?]
Gary Taylor, a professor at Florida State University and the principal investigator of the new edition crowed, “Shakespeare has now entered the world of big data.” He and a team of 23 international “scholars” used “computerized data sets to reveal patterns, trends and associations— analyzing not only Shakespeare’s words, but also those of his contemporaries.”
Seriously? Why would anyone do that? Have modern scholars run out of original ideas and thoughts to explore and research? This reminded me of one disappointing lecture by a tutor at Wroxton that focused on the number of active and passive verbs Shakespeare used in his plays. After listening to visiting Shakespearean scholars lecture all semester, providing brilliant insights into Elizabethan life and times and inspiring interpretations of Shakespeare’s writing, I found the verb identification exercise rather uninspiring. And now, computer analysis of Shakespeare? Positively dispiriting, not to mention yawn-inducing.
It’s no secret that writers often seek the advice of other writers, and in Elizabethan England, there was “a demand for new material to feed the appetite of the first mass entertainment industry.” I’ll concede that the small group of writers working at that time probably consulted one another and may have even collaborated. As a writer myself, I participate in classes and critique groups where members of the group provide wonderful suggestions about editing my phrasing, language, and even plot, and I have amended my work based on their suggestions. Does that make them my co-authors?
It’s hard to account for the obsession with discrediting a beloved and venerated writer who’s been dead nearly 500 years. Historically, there have been writers, scholars and critics who questioned Shakespeare’s ability to have written all the plays that have traditionally been attributed to him. Some say Shakespeare simply didn’t have the experience to write about the subject matter he covered. In response to that James Shapiro, author of Contested Will: Who Wrote Shakespeare? writes:
“What I find most disheartening about the claim that Shakespeare of Stratford lacked the life experience to have written the plays is that it diminishes the very thing that makes him exceptional: his imagination.”
So, my question to the scholars using “big data” to analyze Shakespeare’s plays is what imaginative contribution have you made to the world of literature? Even if you’re right, does it really matter that Christopher Marlowe, a poet and playwright himself, may have written some scenes in the Henry VI plays, perhaps to help out a fellow writer trying to meet a deadline or because he needed the money?
Will any one of the scholars who completed this study be quoted 500 years from now? Methinks the answer lies in the Bard’s own words. Compared to Shakespeare, the scholar using computer analytics to define his work is:
“…but a walking shadow, a poor player
That struts and frets his hour upon the stage
And then is heard no more.” Macbeth, Act V, Scene 5
And as for his computer study, well:
“ It is a tale
Told by an idiot, full of sound and fury
Signifying nothing.” Macbeth, Act V, Scene 5
Long live Shakespeare! Long live the Bard!